New York photo-based art object exhibitions:

1994 ‘12x 12x (12)’, Islip Art Museum - East Islip, NY
1993 ‘Twisted State’ - OIA, 80 Washington St., NYC
‘Zoo Extracts’, Islip Art Museum - East Islip, NY
1992 ‘The Salon of the Mating Spiders’, Herron Test-Site - NYC
‘The Neurotic Art Show II’, Artists Space - NYC
‘Gallery’, Dooley Le Cappellaine - NYC
‘The 1.5 Show’, (Muranushi-Lederman), Tribeca 148 Gallery - NYC
1990 ‘Movers and Makers’, A/C Project Room - NYC
‘A New Profit Margin’, Gargoyle Mechanique - NYC
‘Artworkers’, A/C Project Room - NYC

 

Selected other visual image performances:

1991 ‘You No Me’, 35mm slide body and set projections for video poetry of Raquel Shapira,
International Women’s Day Video Festival - Deep Dish Television, Downtown Film Festival - San Francisco
Olympia Film Festival - Washington and Women’s Erotic Film Festival - San Francisco
1989 ‘8 Fool Moons’, 35mm set projections and score for performances by Raquel Shapira,
Franklin Furnace - NYC
1984 ‘Repent Harlequin’, Wisconsin Arts Board Award for dance theater projection video interaction and score,
Kanopy Dance Theatre - Madison, WI
1983 ‘Capital Reaction’, 30 minute weekly program of original film, video and music productions,
Community Television - Madison, WI

 

Selected aural performance/production:

1991 ‘Letter to Ophelia’, soundscape composed for Penelope Wehrli mixed media dance theater,
Atelier Prantl - Vienna, Austria
1989 ‘Fragments’, designed and engineered ‘live’ processing of text as part of French translation series, Ubu Theater - NYC
1985 ‘Grindhouse’, composed score for Bennett Theissen seven part ‘theatrical projection’ series, Pyramid Club - NYC, and Douglas Fairbanks Theater - NYC

 

Related involvements with the following producers, artists and musicians:

Bare Bones Product, Bianchi/Mazur, Black Box Players, Bonk!, Bill Brovold, Circle X, Cracksex, Holmes Jones, New York Theater Asylum, Nam June Paik, Theadora Skipitares and Surf Reality